This was a great experience from the beginning until right this minute. But then we got David Fincher. Because as you say, David is peerless as a visual director, and I like people talking in rooms.
He first did a great job of telling a story being told with language and he did bring a very distinctive visual style to it. He got extraordinary performances out of extraordinary, but young, actors and then, once it got into post production, was able to make scenes of typing.
And sometimes just talking about typing look like bank robbers. It was a long period after research was done. I just paced around climbing the walls on how the content was going to look and what story I was telling. But the defendants, the plaintiffs, the witnesses, they all walked into the deposition rooms and they all swore to tell the truth and they ended up with three very different versions of the story. So rather than just picking one side as the truth and the story that I tell, what I really like was that there were three different versions of the story, and I wanted to tell them all.
I wish I would have arrived at those ideas quicker. It took me a long time to get there. So it just takes me a while to get there. This is my take on what happened.
You can put a bowl of fruit on a table and have 10 people take a picture of it and those 10 photographs would look pretty much like each other. And so I was telling a true story, but very quickly the people became characters to me and not historical figures.
And people, and properties of people, and properties of characters, actually have very little to do with each other. There are writers like Sam Shepard or David Mamet who are absolute virtuosos at writing dialogue where people have a lot of difficulty communicating with each other.
Scenes where nobody is ever talking is not something that I can do. A lot of the time I was too young to even understand the play. Studio 60 on the Sunset Strip was a comedy set behind the scenes of a fictional sketch comedy show, which is a premise that might sound familiar to fans of 30 Rock.
Here's a quick snippet of Sorkin's cameo on 30 Rock parodying his love of the "walk-n-talk" and a little jab at Studio This would not be the last time that Aaron Sorkin brought a true story to the silver screen.
In fact, he did it again with his very next script. The Social Network is the film that earned Aaron Sorkin his first — and so far only — Oscar win in the Best Adapted Screenplay category, though he has been nominated for three additional Oscars since. His trademark dialogue, digressions, and character interactions are in full-force from the very start of the film.
The only way it could be anymore on-brand is if the characters were walking down a hallway during the conversation. Here's our breakdown of The Social Network screenplay and how Sorkin crafts the perfect "Fall" character arc. Racking up six Oscar nominations— though winning none of them — Moneyball is another true story adapted from a non-fiction book.
This time around, Sorkin shared the writing duties with Steven Zaillian, another screenwriter who has worked with some of the best directors in the business like David Fincher , Martin Scorsese , and Steven Spielberg.
After about five years away from television, Aaron Sorkin returned to the small screen with The Newsroom. The tone and stance of the show is brilliantly established in this lengthy monologue, which appears on page 51 of the pilot script but was bumped all the way up to the start in the broadcast episode to get the show started with a bang.
Similar to The Social Network , Steve Jobs is another true story book adaptation about an influential tech figure. Sorkin really excels in this particular niche. Learn how to write an adaptation and how to write fiction based on true events. The structure of Steve Jobs has Sorkin jumping between the moments leading up to three important Apple product launches.
This is easily one of the best Aaron Sorkin screenplays. Steve Jobs has marked the last film — at least so far — that Sorkin served as solely the screenwriter for. Eventually, Sorkin decided to make the film himself and to take the leap from writer to writer-director. He had a good enough experience with his first directed film that he decided to direct his next script as well.
Reading through Aaron Sorkin screenplays is a great exercise for anyone who wants to learn how to become a screenwriter. Next Post. A visual medium requires visual methods. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques. More and more people are flocking to the small screen to find daily entertainment.
So how can you break put from the pack and get your idea onto the small screen? Skip to content. Subscribe on YouTube. The Social Network Script. Written by Aaron Sorkin. Aaron Sorkin began his career as a playwright in New York City. In , he received his first credit as a screenwriter for the film A Few Good Men.
Since then, Sorkin has become one of the most admired screenwriters in the world; with credits on The West Wing , Moneyball , Steve Jobs , and many more productions. The Social Network Quotes. The Social Network Restaurant Scene. Write and produce your scripts all in one place. Leave a comment Cancel reply Your email address will not be published. Next Post What is Deductive Reasoning? Definition and Examples. Learn More. Featured Blog Posts.
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